|
|
|
Зарубежная литератураarray(53) {
[0]=>
object(stdClass)#15 (12) {
["id"]=>
string(6) "276683"
["label"]=>
string(84) "1.Особенности западноевропейского романтизма"
["private"]=>
string(1) "0"
["hits"]=>
string(3) "169"
["like"]=>
string(1) "0"
["extra_title"]=>
NULL
["site_id"]=>
NULL
["content_unique"]=>
string(2) "51"
["abs_unique"]=>
string(2) "49"
["category_id"]=>
string(1) "0"
["metka"]=>
string(10) "1560609352"
["ban"]=>
string(1) "3"
}
[1]=>
object(stdClass)#14 (12) {
["id"]=>
string(6) "276684"
["label"]=>
string(99) "2. Философская основа западноевропейского романтизма."
["private"]=>
string(1) "0"
["hits"]=>
string(3) "301"
["like"]=>
string(1) "0"
["extra_title"]=>
NULL
["site_id"]=>
NULL
["content_unique"]=>
string(2) "99"
["abs_unique"]=>
string(2) "98"
["category_id"]=>
string(1) "0"
["metka"]=>
string(10) "1560686656"
["ban"]=>
string(1) "0"
}
[2]=>
object(stdClass)#13 (12) {
["id"]=>
string(6) "276685"
["label"]=>
string(62) "3.Романтическая ирония, двоемирие."
["private"]=>
string(1) "0"
["hits"]=>
string(3) "156"
["like"]=>
string(1) "0"
["extra_title"]=>
NULL
["site_id"]=>
NULL
["content_unique"]=>
string(2) "48"
["abs_unique"]=>
string(2) "47"
["category_id"]=>
string(1) "0"
["metka"]=>
string(10) "1560686735"
["ban"]=>
string(1) "3"
}
[3]=>
object(stdClass)#12 (12) {
["id"]=>
string(6) "276686"
["label"]=>
string(100) "4.Специфика романтического героя и его характеристика."
["private"]=>
string(1) "0"
["hits"]=>
string(3) "167"
["like"]=>
string(1) "0"
["extra_title"]=>
NULL
["site_id"]=>
NULL
["content_unique"]=>
string(2) "36"
["abs_unique"]=>
string(2) "35"
["category_id"]=>
string(1) "0"
["metka"]=>
string(10) "1560686837"
["ban"]=>
string(1) "3"
}
[4]=>
object(stdClass)#11 (12) {
["id"]=>
string(6) "276687"
["label"]=>
string(62) "5. Типология немецкого романтизма."
["private"]=>
string(1) "0"
["hits"]=>
string(3) "152"
["like"]=>
string(1) "0"
["extra_title"]=>
NULL
["site_id"]=>
NULL
["content_unique"]=>
string(2) "13"
["abs_unique"]=>
string(2) "12"
["category_id"]=>
string(1) "0"
["metka"]=>
string(10) "1560687044"
["ban"]=>
string(1) "3"
}
[5]=>
object(stdClass)#10 (12) {
["id"]=>
string(6) "276688"
["label"]=>
string(84) "6. Йенская романтическая школа. Представители."
["private"]=>
string(1) "0"
["hits"]=>
string(3) "135"
["like"]=>
string(1) "0"
["extra_title"]=>
NULL
["site_id"]=>
NULL
["content_unique"]=>
string(2) "46"
["abs_unique"]=>
string(2) "45"
["category_id"]=>
string(1) "0"
["metka"]=>
string(10) "1560687492"
["ban"]=>
string(1) "3"
}
[6]=>
object(stdClass)#9 (12) {
["id"]=>
string(6) "276689"
["label"]=>
string(65) "7. Гейдельбергская школа романтизма"
["private"]=>
string(1) "0"
["hits"]=>
string(3) "134"
["like"]=>
string(1) "0"
["extra_title"]=>
NULL
["site_id"]=>
NULL
["content_unique"]=>
string(2) "51"
["abs_unique"]=>
string(2) "17"
["category_id"]=>
string(1) "0"
["metka"]=>
string(10) "1560687577"
["ban"]=>
string(1) "3"
}
[7]=>
object(stdClass)#8 (12) {
["id"]=>
string(6) "276690"
["label"]=>
string(146) "8. Немецкие философы (братья Шлегели, Ф. Шеллинг) и западноевропейский романтизм."
["private"]=>
string(1) "0"
["hits"]=>
string(3) "153"
["like"]=>
string(1) "0"
["extra_title"]=>
NULL
["site_id"]=>
NULL
["content_unique"]=>
string(2) "52"
["abs_unique"]=>
string(2) "51"
["category_id"]=>
string(1) "0"
["metka"]=>
string(10) "1560687830"
["ban"]=>
string(1) "3"
}
[8]=>
object(stdClass)#7 (12) {
["id"]=>
string(6) "276691"
["label"]=>
string(71) "9.Г. фон Клейст, особенности творчества."
["private"]=>
string(1) "0"
["hits"]=>
string(3) "133"
["like"]=>
string(1) "0"
["extra_title"]=>
NULL
["site_id"]=>
NULL
["content_unique"]=>
string(2) "20"
["abs_unique"]=>
string(2) "10"
["category_id"]=>
string(1) "0"
["metka"]=>
string(10) "1560688021"
["ban"]=>
string(1) "3"
}
[9]=>
object(stdClass)#17 (12) {
["id"]=>
string(6) "276692"
["label"]=>
string(115) "10.Проблематика новеллы Г. фон Клейста «Михаэль Кольхаас»."
["private"]=>
string(1) "0"
["hits"]=>
string(3) "147"
["like"]=>
string(1) "0"
["extra_title"]=>
NULL
["site_id"]=>
NULL
["content_unique"]=>
string(1) "6"
["abs_unique"]=>
string(1) "5"
["category_id"]=>
string(1) "0"
["metka"]=>
string(10) "1560688118"
["ban"]=>
string(1) "3"
}
[10]=>
object(stdClass)#18 (12) {
["id"]=>
string(6) "276693"
["label"]=>
string(100) "11. Драматургия Генриха фон Клейста. «Пентесилея»."
["private"]=>
string(1) "0"
["hits"]=>
string(3) "164"
["like"]=>
string(1) "0"
["extra_title"]=>
NULL
["site_id"]=>
NULL
["content_unique"]=>
string(1) "4"
["abs_unique"]=>
string(1) "3"
["category_id"]=>
string(1) "0"
["metka"]=>
string(10) "1560688424"
["ban"]=>
string(1) "3"
}
[11]=>
object(stdClass)#19 (12) {
["id"]=>
string(6) "276694"
["label"]=>
string(116) "12. Особенности мировоззрения и творческого метода Э. Т. Гофмана."
["private"]=>
string(1) "0"
["hits"]=>
string(3) "173"
["like"]=>
string(1) "0"
["extra_title"]=>
NULL
["site_id"]=>
NULL
["content_unique"]=>
string(2) "19"
["abs_unique"]=>
string(2) "14"
["category_id"]=>
string(1) "0"
["metka"]=>
string(10) "1560688853"
["ban"]=>
string(1) "3"
}
[12]=>
object(stdClass)#20 (12) {
["id"]=>
string(6) "276695"
["label"]=>
string(171) "13.Художественное своеобразие новеллистики Э.Т.Гофмана. «Кавалер Глюк», «Дон Жуан»."
["private"]=>
string(1) "0"
["hits"]=>
string(3) "161"
["like"]=>
string(1) "0"
["extra_title"]=>
NULL
["site_id"]=>
NULL
["content_unique"]=>
string(2) "11"
["abs_unique"]=>
string(1) "8"
["category_id"]=>
string(1) "0"
["metka"]=>
string(10) "1560689336"
["ban"]=>
string(1) "3"
}
[13]=>
object(stdClass)#21 (12) {
["id"]=>
string(6) "276696"
["label"]=>
string(169) "14.Своеобразие сказочных новелл Э.Т.Гофмана. «Песочный человек», «Золотой горшок»."
["private"]=>
string(1) "0"
["hits"]=>
string(3) "174"
["like"]=>
string(1) "0"
["extra_title"]=>
NULL
["site_id"]=>
NULL
["content_unique"]=>
string(1) "9"
["abs_unique"]=>
string(1) "7"
["category_id"]=>
string(1) "0"
["metka"]=>
string(10) "1560689528"
["ban"]=>
string(1) "3"
}
[14]=>
object(stdClass)#22 (12) {
["id"]=>
string(6) "276697"
["label"]=>
string(184) "15. Особенности романтического двоемирия в романе Э.Т.Гофмана «Житейские воззрения кота Мурра»."
["private"]=>
string(1) "0"
["hits"]=>
string(4) "1253"
["like"]=>
string(1) "0"
["extra_title"]=>
NULL
["site_id"]=>
NULL
["content_unique"]=>
string(2) "61"
["abs_unique"]=>
string(2) "60"
["category_id"]=>
string(1) "0"
["metka"]=>
string(10) "1560689829"
["ban"]=>
string(1) "0"
}
[15]=>
object(stdClass)#23 (12) {
["id"]=>
string(6) "276698"
["label"]=>
string(128) "16. Проблематика сатирической повести Э.Т.Гофмана «Крошка Цахес»."
["private"]=>
string(1) "0"
["hits"]=>
string(3) "177"
["like"]=>
string(1) "0"
["extra_title"]=>
NULL
["site_id"]=>
NULL
["content_unique"]=>
string(1) "6"
["abs_unique"]=>
string(1) "4"
["category_id"]=>
string(1) "0"
["metka"]=>
string(10) "1560689954"
["ban"]=>
string(1) "3"
}
[16]=>
object(stdClass)#24 (12) {
["id"]=>
string(6) "276700"
["label"]=>
string(43) "17. Творчество А.Шамиссо."
["private"]=>
string(1) "0"
["hits"]=>
string(3) "160"
["like"]=>
string(1) "0"
["extra_title"]=>
NULL
["site_id"]=>
NULL
["content_unique"]=>
string(1) "2"
["abs_unique"]=>
string(1) "1"
["category_id"]=>
string(1) "0"
["metka"]=>
string(10) "1560612846"
["ban"]=>
string(1) "3"
}
[17]=>
object(stdClass)#25 (12) {
["id"]=>
string(6) "276701"
["label"]=>
string(103) "18. Ранний период творчества Г. Гейне. «Книга песен»."
["private"]=>
string(1) "0"
["hits"]=>
string(3) "175"
["like"]=>
string(1) "0"
["extra_title"]=>
NULL
["site_id"]=>
NULL
["content_unique"]=>
string(2) "49"
["abs_unique"]=>
string(2) "48"
["category_id"]=>
string(1) "0"
["metka"]=>
string(10) "1560690338"
["ban"]=>
string(1) "3"
}
[18]=>
object(stdClass)#26 (12) {
["id"]=>
string(6) "276702"
["label"]=>
string(77) "19. Тематика «Путевых картин» Г.Гейне."
["private"]=>
string(1) "0"
["hits"]=>
string(3) "156"
["like"]=>
string(1) "0"
["extra_title"]=>
NULL
["site_id"]=>
NULL
["content_unique"]=>
string(2) "16"
["abs_unique"]=>
string(2) "15"
["category_id"]=>
string(1) "0"
["metka"]=>
string(10) "1560690532"
["ban"]=>
string(1) "3"
}
[19]=>
object(stdClass)#27 (12) {
["id"]=>
string(6) "276703"
["label"]=>
string(113) "20. Образ голубого цветка в творчестве романтиков и Ф.Новалиса."
["private"]=>
string(1) "0"
["hits"]=>
string(3) "171"
["like"]=>
string(1) "0"
["extra_title"]=>
NULL
["site_id"]=>
NULL
["content_unique"]=>
string(2) "48"
["abs_unique"]=>
string(2) "13"
["category_id"]=>
string(1) "0"
["metka"]=>
string(10) "1560693081"
["ban"]=>
string(1) "3"
}
[20]=>
object(stdClass)#28 (12) {
["id"]=>
string(6) "276704"
["label"]=>
string(62) "21. Проблематика поэзии Ф.Новалиса."
["private"]=>
string(1) "0"
["hits"]=>
string(3) "166"
["like"]=>
string(1) "0"
["extra_title"]=>
NULL
["site_id"]=>
NULL
["content_unique"]=>
string(1) "4"
["abs_unique"]=>
string(1) "3"
["category_id"]=>
string(1) "0"
["metka"]=>
string(10) "1560613708"
["ban"]=>
string(1) "3"
}
[21]=>
object(stdClass)#29 (12) {
["id"]=>
string(6) "276705"
["label"]=>
string(129) "22. Новаторство романтической драматургии Л. Тика «кот в сапогах»."
["private"]=>
string(1) "0"
["hits"]=>
string(3) "167"
["like"]=>
string(1) "0"
["extra_title"]=>
NULL
["site_id"]=>
NULL
["content_unique"]=>
string(2) "13"
["abs_unique"]=>
string(2) "11"
["category_id"]=>
string(1) "0"
["metka"]=>
string(10) "1560691814"
["ban"]=>
string(1) "3"
}
[22]=>
object(stdClass)#30 (12) {
["id"]=>
string(6) "276707"
["label"]=>
string(72) "23.Особенности французского романтизма."
["private"]=>
string(1) "0"
["hits"]=>
string(3) "155"
["like"]=>
string(1) "0"
["extra_title"]=>
NULL
["site_id"]=>
NULL
["content_unique"]=>
string(2) "55"
["abs_unique"]=>
string(2) "54"
["category_id"]=>
string(1) "0"
["metka"]=>
string(10) "1560615309"
["ban"]=>
string(1) "3"
}
[23]=>
object(stdClass)#31 (12) {
["id"]=>
string(6) "276709"
["label"]=>
string(117) "24. Творческие взгляды Ф.Р. Шатобриана. «Атала», «Рене»"
["private"]=>
string(1) "0"
["hits"]=>
string(3) "157"
["like"]=>
string(1) "0"
["extra_title"]=>
NULL
["site_id"]=>
NULL
["content_unique"]=>
string(1) "3"
["abs_unique"]=>
string(1) "2"
["category_id"]=>
string(1) "0"
["metka"]=>
string(10) "1560672177"
["ban"]=>
string(1) "3"
}
[24]=>
object(stdClass)#32 (12) {
["id"]=>
string(6) "276710"
["label"]=>
string(68) "25.Особенности творчества А.Ламартина"
["private"]=>
string(1) "0"
["hits"]=>
string(3) "147"
["like"]=>
string(1) "0"
["extra_title"]=>
NULL
["site_id"]=>
NULL
["content_unique"]=>
string(1) "7"
["abs_unique"]=>
string(1) "6"
["category_id"]=>
string(1) "0"
["metka"]=>
string(10) "1560672504"
["ban"]=>
string(1) "3"
}
[25]=>
object(stdClass)#33 (12) {
["id"]=>
string(6) "276711"
["label"]=>
string(67) "26.Своеобразие романтизма А. де Виньи."
["private"]=>
string(1) "0"
["hits"]=>
string(3) "133"
["like"]=>
string(1) "0"
["extra_title"]=>
NULL
["site_id"]=>
NULL
["content_unique"]=>
string(2) "20"
["abs_unique"]=>
string(2) "19"
["category_id"]=>
string(1) "0"
["metka"]=>
string(10) "1560694564"
["ban"]=>
string(1) "3"
}
[26]=>
object(stdClass)#34 (12) {
["id"]=>
string(6) "276712"
["label"]=>
string(76) "27. Тематика романа Ж. Санд «Индиана»."
["private"]=>
string(1) "0"
["hits"]=>
string(3) "151"
["like"]=>
string(1) "0"
["extra_title"]=>
NULL
["site_id"]=>
NULL
["content_unique"]=>
string(1) "5"
["abs_unique"]=>
string(1) "4"
["category_id"]=>
string(1) "0"
["metka"]=>
string(10) "1560672984"
["ban"]=>
string(1) "3"
}
[27]=>
object(stdClass)#35 (12) {
["id"]=>
string(6) "276713"
["label"]=>
string(106) "28. Социальная проблематика романа Ж.Санд «Консуэло»."
["private"]=>
string(1) "0"
["hits"]=>
string(3) "142"
["like"]=>
string(1) "0"
["extra_title"]=>
NULL
["site_id"]=>
NULL
["content_unique"]=>
string(2) "58"
["abs_unique"]=>
string(2) "57"
["category_id"]=>
string(1) "0"
["metka"]=>
string(10) "1560694722"
["ban"]=>
string(1) "3"
}
[28]=>
object(stdClass)#36 (12) {
["id"]=>
string(6) "276714"
["label"]=>
string(127) "29. Эстетические взгляды В. Гюго в предисловии к драме «Кромвель»"
["private"]=>
string(1) "0"
["hits"]=>
string(3) "164"
["like"]=>
string(1) "0"
["extra_title"]=>
NULL
["site_id"]=>
NULL
["content_unique"]=>
string(2) "16"
["abs_unique"]=>
string(2) "15"
["category_id"]=>
string(1) "0"
["metka"]=>
string(10) "1560695150"
["ban"]=>
string(1) "3"
}
[29]=>
object(stdClass)#37 (12) {
["id"]=>
string(6) "276715"
["label"]=>
string(104) "30. Особенности романтической драматургии В.Гюго. "Эрнани""
["private"]=>
string(1) "0"
["hits"]=>
string(4) "2140"
["like"]=>
string(1) "1"
["extra_title"]=>
NULL
["site_id"]=>
NULL
["content_unique"]=>
string(2) "61"
["abs_unique"]=>
string(2) "60"
["category_id"]=>
string(1) "0"
["metka"]=>
string(10) "1560695283"
["ban"]=>
string(1) "0"
}
[30]=>
object(stdClass)#38 (12) {
["id"]=>
string(6) "276716"
["label"]=>
string(136) "31.Романтизация истории в романе В.Гюго «Собор Парижской Богоматери»."
["private"]=>
string(1) "0"
["hits"]=>
string(3) "139"
["like"]=>
string(1) "0"
["extra_title"]=>
NULL
["site_id"]=>
NULL
["content_unique"]=>
string(2) "58"
["abs_unique"]=>
string(2) "56"
["category_id"]=>
string(1) "0"
["metka"]=>
string(10) "1560695391"
["ban"]=>
string(1) "3"
}
[31]=>
object(stdClass)#39 (12) {
["id"]=>
string(6) "276717"
["label"]=>
string(129) "32. Символика и образы романа В.Гюго «Собор Парижской Богоматери»."
["private"]=>
string(1) "0"
["hits"]=>
string(3) "156"
["like"]=>
string(1) "0"
["extra_title"]=>
NULL
["site_id"]=>
NULL
["content_unique"]=>
string(2) "15"
["abs_unique"]=>
string(2) "12"
["category_id"]=>
string(1) "0"
["metka"]=>
string(10) "1560673812"
["ban"]=>
string(1) "3"
}
[32]=>
object(stdClass)#40 (12) {
["id"]=>
string(6) "276718"
["label"]=>
string(150) "33. Отражение эстетики гротеска В.Гюго в романе «Собор Парижской Богоматери»."
["private"]=>
string(1) "0"
["hits"]=>
string(3) "158"
["like"]=>
string(1) "0"
["extra_title"]=>
NULL
["site_id"]=>
NULL
["content_unique"]=>
string(2) "17"
["abs_unique"]=>
string(2) "16"
["category_id"]=>
string(1) "0"
["metka"]=>
string(10) "1560695937"
["ban"]=>
string(1) "3"
}
[33]=>
object(stdClass)#41 (12) {
["id"]=>
string(6) "276719"
["label"]=>
string(109) "34. Социальная проблематика романа Гюго «Отверженные»."
["private"]=>
string(1) "0"
["hits"]=>
string(3) "132"
["like"]=>
string(1) "0"
["extra_title"]=>
NULL
["site_id"]=>
NULL
["content_unique"]=>
string(2) "46"
["abs_unique"]=>
string(2) "45"
["category_id"]=>
string(1) "0"
["metka"]=>
string(10) "1560674348"
["ban"]=>
string(1) "3"
}
[34]=>
object(stdClass)#42 (12) {
["id"]=>
string(6) "276720"
["label"]=>
string(107) "35. Проблематика романа В.Гюго «Девяносто третий год»."
["private"]=>
string(1) "0"
["hits"]=>
string(3) "139"
["like"]=>
string(1) "0"
["extra_title"]=>
NULL
["site_id"]=>
NULL
["content_unique"]=>
string(2) "15"
["abs_unique"]=>
string(1) "9"
["category_id"]=>
string(1) "0"
["metka"]=>
string(10) "1560696341"
["ban"]=>
string(1) "3"
}
[35]=>
object(stdClass)#43 (12) {
["id"]=>
string(6) "276721"
["label"]=>
string(95) "36. Типология английского романтизма. Представители."
["private"]=>
string(1) "0"
["hits"]=>
string(3) "149"
["like"]=>
string(1) "0"
["extra_title"]=>
NULL
["site_id"]=>
NULL
["content_unique"]=>
string(2) "43"
["abs_unique"]=>
string(2) "41"
["category_id"]=>
string(1) "0"
["metka"]=>
string(10) "1560696558"
["ban"]=>
string(1) "3"
}
[36]=>
object(stdClass)#44 (12) {
["id"]=>
string(6) "276722"
["label"]=>
string(70) "37. Озерная школа. Взгляды У. Вордсворта"
["private"]=>
string(1) "0"
["hits"]=>
string(3) "133"
["like"]=>
string(1) "0"
["extra_title"]=>
NULL
["site_id"]=>
NULL
["content_unique"]=>
string(1) "7"
["abs_unique"]=>
string(1) "6"
["category_id"]=>
string(1) "0"
["metka"]=>
string(10) "1560696601"
["ban"]=>
string(1) "3"
}
[37]=>
object(stdClass)#45 (12) {
["id"]=>
string(6) "276723"
["label"]=>
string(108) "38. Эстетика С.Кольриджа. «Сказание о Старом Мореходе»."
["private"]=>
string(1) "0"
["hits"]=>
string(3) "148"
["like"]=>
string(1) "0"
["extra_title"]=>
NULL
["site_id"]=>
NULL
["content_unique"]=>
string(2) "26"
["abs_unique"]=>
string(2) "11"
["category_id"]=>
string(1) "0"
["metka"]=>
string(10) "1560697605"
["ban"]=>
string(1) "3"
}
[38]=>
object(stdClass)#46 (12) {
["id"]=>
string(6) "276724"
["label"]=>
string(118) "39. Тематика «Лирических баллад» У.Вордсворта и С.Кольриджа."
["private"]=>
string(1) "0"
["hits"]=>
string(3) "168"
["like"]=>
string(1) "0"
["extra_title"]=>
NULL
["site_id"]=>
NULL
["content_unique"]=>
string(2) "31"
["abs_unique"]=>
string(2) "30"
["category_id"]=>
string(1) "0"
["metka"]=>
string(10) "1560688633"
["ban"]=>
string(1) "3"
}
[39]=>
object(stdClass)#47 (12) {
["id"]=>
string(6) "276725"
["label"]=>
string(63) "40. Своеобразие романтизма Р. Саути."
["private"]=>
string(1) "0"
["hits"]=>
string(3) "146"
["like"]=>
string(1) "0"
["extra_title"]=>
NULL
["site_id"]=>
NULL
["content_unique"]=>
string(2) "33"
["abs_unique"]=>
string(1) "8"
["category_id"]=>
string(1) "0"
["metka"]=>
string(10) "1560697806"
["ban"]=>
string(1) "3"
}
[40]=>
object(stdClass)#48 (12) {
["id"]=>
string(6) "276726"
["label"]=>
string(112) "41. Жизнь и творчество Д.Байрона.Джордж Гордон Байрон(1788—1824)"
["private"]=>
string(1) "0"
["hits"]=>
string(3) "156"
["like"]=>
string(1) "0"
["extra_title"]=>
NULL
["site_id"]=>
NULL
["content_unique"]=>
string(1) "4"
["abs_unique"]=>
string(1) "3"
["category_id"]=>
string(1) "0"
["metka"]=>
string(10) "1560676859"
["ban"]=>
string(1) "3"
}
[41]=>
object(stdClass)#49 (12) {
["id"]=>
string(6) "276728"
["label"]=>
string(64) "42.Тематика ранней лирики Д.Байрона."
["private"]=>
string(1) "0"
["hits"]=>
string(3) "153"
["like"]=>
string(1) "0"
["extra_title"]=>
NULL
["site_id"]=>
NULL
["content_unique"]=>
string(2) "56"
["abs_unique"]=>
string(2) "53"
["category_id"]=>
string(1) "0"
["metka"]=>
string(10) "1560676973"
["ban"]=>
string(1) "3"
}
[42]=>
object(stdClass)#50 (12) {
["id"]=>
string(6) "276729"
["label"]=>
string(111) "43. Понятие «байронизма» и «байронического героя»."
["private"]=>
string(1) "0"
["hits"]=>
string(3) "157"
["like"]=>
string(1) "0"
["extra_title"]=>
NULL
["site_id"]=>
NULL
["content_unique"]=>
string(2) "15"
["abs_unique"]=>
string(2) "14"
["category_id"]=>
string(1) "0"
["metka"]=>
string(10) "1560677118"
["ban"]=>
string(1) "3"
}
[43]=>
object(stdClass)#51 (12) {
["id"]=>
string(6) "276730"
["label"]=>
string(176) "44.Особенности романтической композиции поэмы Д.Байрона «Паломничество Чайльд - Гарольда»."
["private"]=>
string(1) "0"
["hits"]=>
string(3) "125"
["like"]=>
string(1) "0"
["extra_title"]=>
NULL
["site_id"]=>
NULL
["content_unique"]=>
string(2) "24"
["abs_unique"]=>
string(2) "23"
["category_id"]=>
string(1) "0"
["metka"]=>
string(10) "1560711248"
["ban"]=>
string(1) "3"
}
[44]=>
object(stdClass)#52 (12) {
["id"]=>
string(6) "276732"
["label"]=>
string(88) "45.Проблематика «Восточных поэм»Д. Байрона."
["private"]=>
string(1) "0"
["hits"]=>
string(3) "140"
["like"]=>
string(1) "0"
["extra_title"]=>
NULL
["site_id"]=>
NULL
["content_unique"]=>
string(2) "60"
["abs_unique"]=>
string(2) "40"
["category_id"]=>
string(1) "0"
["metka"]=>
string(10) "1560711460"
["ban"]=>
string(1) "4"
}
[45]=>
object(stdClass)#53 (12) {
["id"]=>
string(6) "276733"
["label"]=>
string(95) "46. Особенности романтической драматургии Д.Байрона."
["private"]=>
string(1) "0"
["hits"]=>
string(3) "124"
["like"]=>
string(1) "0"
["extra_title"]=>
NULL
["site_id"]=>
NULL
["content_unique"]=>
string(2) "52"
["abs_unique"]=>
string(2) "45"
["category_id"]=>
string(1) "0"
["metka"]=>
string(10) "1560711594"
["ban"]=>
string(1) "3"
}
[46]=>
object(stdClass)#54 (12) {
["id"]=>
string(6) "276734"
["label"]=>
string(111) "47. Философские драмы Д.Байрона «Манфред» и «Каин»."
["private"]=>
string(1) "0"
["hits"]=>
string(3) "143"
["like"]=>
string(1) "0"
["extra_title"]=>
NULL
["site_id"]=>
NULL
["content_unique"]=>
string(2) "40"
["abs_unique"]=>
string(2) "39"
["category_id"]=>
string(1) "0"
["metka"]=>
string(10) "1560711718"
["ban"]=>
string(1) "3"
}
[47]=>
object(stdClass)#55 (12) {
["id"]=>
string(6) "276735"
["label"]=>
string(88) "48. Проблематика поэмы Д.Байрона «Дон-Жуан»."
["private"]=>
string(1) "0"
["hits"]=>
string(3) "146"
["like"]=>
string(1) "0"
["extra_title"]=>
NULL
["site_id"]=>
NULL
["content_unique"]=>
string(1) "5"
["abs_unique"]=>
string(1) "3"
["category_id"]=>
string(1) "0"
["metka"]=>
string(10) "1560711865"
["ban"]=>
string(1) "3"
}
[48]=>
object(stdClass)#56 (12) {
["id"]=>
string(6) "276736"
["label"]=>
string(75) "49. Особенности американского романтизма."
["private"]=>
string(1) "0"
["hits"]=>
string(3) "145"
["like"]=>
string(1) "0"
["extra_title"]=>
NULL
["site_id"]=>
NULL
["content_unique"]=>
string(2) "21"
["abs_unique"]=>
string(2) "20"
["category_id"]=>
string(1) "0"
["metka"]=>
string(10) "1560712492"
["ban"]=>
string(1) "3"
}
[49]=>
object(stdClass)#57 (12) {
["id"]=>
string(6) "276737"
["label"]=>
string(66) "50. Проблематика новеллистики Э.А. По."
["private"]=>
string(1) "0"
["hits"]=>
string(4) "1060"
["like"]=>
string(1) "0"
["extra_title"]=>
NULL
["site_id"]=>
NULL
["content_unique"]=>
string(2) "63"
["abs_unique"]=>
string(2) "34"
["category_id"]=>
string(1) "0"
["metka"]=>
string(10) "1560712587"
["ban"]=>
string(1) "0"
}
[50]=>
object(stdClass)#58 (12) {
["id"]=>
string(6) "276738"
["label"]=>
string(96) "51. Эстетика Э. По и ее отражение в поэме «Ворон»."
["private"]=>
string(1) "0"
["hits"]=>
string(3) "123"
["like"]=>
string(1) "0"
["extra_title"]=>
NULL
["site_id"]=>
NULL
["content_unique"]=>
string(2) "18"
["abs_unique"]=>
string(2) "17"
["category_id"]=>
string(1) "0"
["metka"]=>
string(10) "1560712805"
["ban"]=>
string(1) "3"
}
[51]=>
object(stdClass)#59 (12) {
["id"]=>
string(6) "276739"
["label"]=>
string(109) "52. Специфика романтического исторического романа В. Скотта."
["private"]=>
string(1) "0"
["hits"]=>
string(3) "414"
["like"]=>
string(1) "0"
["extra_title"]=>
NULL
["site_id"]=>
NULL
["content_unique"]=>
string(2) "71"
["abs_unique"]=>
string(2) "43"
["category_id"]=>
string(1) "0"
["metka"]=>
string(10) "1560681205"
["ban"]=>
string(1) "0"
}
[52]=>
object(stdClass)#60 (12) {
["id"]=>
string(6) "276740"
["label"]=>
string(88) "53. Проблематика романа В. Скотта «Айвенго»."
["private"]=>
string(1) "0"
["hits"]=>
string(3) "145"
["like"]=>
string(1) "0"
["extra_title"]=>
NULL
["site_id"]=>
NULL
["content_unique"]=>
string(2) "69"
["abs_unique"]=>
string(2) "30"
["category_id"]=>
string(1) "0"
["metka"]=>
string(10) "1560712989"
["ban"]=>
string(1) "4"
}
}
|
|
Copyright © 2013-2025. All Rights Reserved. |
помощь
|
|